- About Us
- Why the Cockerel?
- The History of the Museum
- History of the Museum 1900-1983
- History of the Museum 1983 - Present
- The Cowle Trust
- Special Events
- Thursday Afternoon Talks
- School Holiday Activities
- Select 2018: My Nature
- Future Exhibitions
- Sandra Porter: All Things Being Equal
- Select Festival 2018
- Previous Exhibitions
- 2017 Exhibitions
- 2016 Exhibitions
- 2015 Exhibitions
- 2014 Exhibitions
- 2013 Exhibitions
- 2012 Exhibitions
- 2011 Exhibitions
- 2010 Exhibitions
- 2007 - 2009 Exhibitions
- The Museum Collections
- Collections Enquiries
- Recent Acquisitions
- Mystery Object
- Highlights of the Collection
- Paintings from the Collection
- Wilf Merrett Postcard Collection Gallery
- Featured Objects - The Lawnmower
- Featured Object - Wallbridge Painting
- Featured Object - Spanners
- Featured Object - Baughan Motorcyle
- Featured Collection - Casein
- Featured Collection - Prinknash Pottery
- Collections Policies
- World War One Commemoration Events
- 2014 - One Man's War
- 2015 - Technology and Innovation
- 2016 - The World at War
- 2017 - The Home Front
- 2018 - Medals, Souvenirs and Legacy
- Echoes in Enamel Project
- Stories from the Collection
- Trephined Skull
- Bragg Clock
- Beaker Boy
- Woolly Mammoths
- The Story of Animation in Stroud
- Friends of the Museum
- Friends Events
- Friends Contributions
- The Gate to The Secret Garden Print
- The Walled Garden Project
- Walled Garden Plan
- Walled Garden Brief History
- Walled Garden Project Photographs
- Secret Garden Public Photography Day 2013
- The first Walled Garden Residency by Quercus
- Only the Flame Remains: A Collection of Poems
- Museum Volunteers
Chadwick's Place in Art History
Art Historian Dr Alan Ford is inviting art enthusiasts to discover the significance of international sculptor Lynn Chadwick in the context of British and world sculpture.
By uncovering facts about the life and work of Chadwick, who lived and worked in the Stroud valleys, Dr Ford will illustrate how the artist fits into the complexities of modern art.
Many associate Chadwick's earlier works with "the geometry of fear" - a phrase used by the late art critic Sir Herbert Read, and disowned by Chadwick, to describe the work of emerging British sculptors including Chadwick, Eduardo Paolozzi, Kenneth Armitage and Reg Butler.
"He was of the generation after Barbara Hepworth and Henry Moore - a younger generation who, unlike their great predecessors, constructed rather than carved their work. He won the International Prize for Sculpture at the 1956 Venice Biennale after only six years as a professional artist, arriving like a meteor from the blue. If you like he was the first YBA (Young British Artist) before they and their name were invented," explains Dr Ford.
"Yet, in only two more years Pop Art had hit the headlines and the art world changed from modernism's intensities to postmodernism's playfulness and his star seemed to wane. However this great modernist continued to work in his own individual way, continuing to sell well, chiefly abroad, and is still selling steadily after his death: and still a force to be reckoned with."
Dr. Ford will give valuable insights into Chadwick's extensive repertoire of works, represented in public art collections across Britain, North and South America, Europe and Japan, including Chadwick's journey from trainee draughtsman, who worked in several architects' offices in the '30's, to become a great sculptor of international prestige.
Dr Ford's talk, hosted by Gallery Pangolin, takes place on Tuesday, July 1, 7.30pm at the Museum in the Park, where a unique month-long exhibition, entitled The Maker's Studio, gives the public a rare chance to see how this great sculptor worked in his Gloucestershire workshop.
To book tickets call Stroud Tourist Information Centre on 01453 760900.
Cathedral of Cloth: Celebrating 600 years of Ebley Mill
Thanks to a major grant from the Heritage Lottery Fund, visitors will be able to step back in time to the sights and sounds of Ebley Mill for a dramatic new exhibition at The Museum in the Park in February 2018.
December Deep Clean
It’s almost December and we’re once again getting that deep-clean feeling. The Museum will be closing its doors for 2017 from December 4, when we’ll be sprucing the place up for a reopening on New Year’s Day. Read on to find out more about exactly what we get up in this month of closing.
Walled Garden Highly Commended
We are delighted to announce that Austin Design Works have received an award from the Landscape Institute for the Walled Garden project, here at the Museum in the Park.
Museum work showcased
Some of the Museum's work has recently featured in two national reports.
Plan your visit
Select a date from the calendar to see what's on